In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. (extrait de la quatrième de couverture)

A startling work of historical sleuthing and synthesis, Of Fear and Strangers reveals the forgotten histories of xenophobia—and what they mean for us today.
By 2016, it was impossible to ignore an international resurgence of xenophobia. What had happened? Looking for clues, psychiatrist and historian George Makari started out in search of the idea’s origins. To his astonishment, he discovered an unfolding series of never-told stories. While a fear and hatred of strangers may be ancient, he found that the notion of a dangerous bias called "xenophobia" arose not so long ago. (extrait de la quatrième de couverture)

From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought for over a century to move freely around the United States. Curious as to why so many cases contesting the doctrine of “separate but equal” involved trains and buses, Mia Bay went back to the sources with some basic questions: How did travel segregation begin? Why were so many of those who challenged it in court women? How did it move from one form of transport to another, and what was it like to be caught up in this web of contradictory rules? (extrait de la quatrième de couverture)

The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon.
The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable.
He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.
Nor will he be his last. (extrait de la quatrième de couverture)

Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin.
Aki-wayn-zih is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviving the residential school system. (extrait de la quatrième de couverture)

Over the four centuries discussed, the Jews of Quebec realized that they belonged to a unique society in North America. Their commitment to defend their rights and their extensive contributions to numerous sectors of activity have fostered the development of a Quebec enhanced by diverse identities.
Quebec Judaism in its Montreal incarnation took a long time and successive waves of migration from various regions to take root. This work recounts these different contributions throughout the years and the cultural context that encouraged the emergence in Montreal of a Judaism like no other in North America. (extrait de la quatrième de couverture)

o live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma.
Da’Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. (extrait de la quatrième de couverture)

In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled―and beat―The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them. (extrait de la quatrième de couverture)

The Western world has turned its back on migrants, leaving them to cope with one of the most devastating humanitarian crises in history.
In 2018, Sally Hayden received a message on Facebook: “Hi sister Sally, we need your help.” It was from an Eritrean refugee who had been held in a Libyan detention center for months, locked in one big hall with scant meals. Now, Tripoli was crumbling in a scrimmage between warring factions, and the refugees remained stuck, defenseless, with only one hope: contacting her.
With that begins Hayden’s staggering account of the migrant crisis across North Africa: from brutal, vindictive Libyan guards to unexpected acts of kindness; the frustration of visiting aid workers; fake marriages between detainees; the strain on real marriages; and the phenomenon of some refugees becoming oppressors after entering into Faustian bargains with their captors. (extrait de la quatrième de couverture)

Heather McGhee’s specialty is the American economy—and the mystery of why it so often fails the American public. From the financial crisis of 2008 to rising student debt to collapsing public infrastructure, she found a root problem: racism in our politics and policymaking. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out? (extrait de la quatrième de couverture)

In 1850s South Carolina, an enslaved woman named Rose faced a crisis, the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few precious items as a token of love and to try to ensure Ashley’s survival. Soon after, the nine-year-old girl was separated from her mother and sold.
Decades later, Ashley’s granddaughter Ruth embroidered this family history on the bag in spare yet haunting language—including Rose’s wish that “It be filled with my Love always.” Ruth’s sewn words, the reason we remember Ashley’s sack today, evoke a sweeping family story of loss and of love passed down through generations. Now, in this illuminating, deeply moving book inspired by Rose’s gift to Ashley, historian Tiya Miles carefully unearths these women’s faint presence in archival records to follow the paths of their lives—and the lives of so many women like them—to write a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States. (extrait de la quatrième de couverture)

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing.
He was a scholar of law, a sea adventurer, a priest, a member of Parliament―and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year-old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain. He was a man who suffered from surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love. (extrait de la quatrième de couverture)

When my son Sean was born with special needs, his mother and I were told he would never be “normal” and we mourned for the life we had imagined for him. We thought we would have to be his teacher and protector, more so than the typical child. However, we quickly learned that lessons can come from the most unlikely places and that our world would be changed for the better in ways we could have never envisioned. . . all because of Sean.
Before he died on Father’s Day 2019, Sean taught me valuable life lessons that only became more pronounced upon his passing. He taught me how to build strong, authentic relationships. He taught me how to live in the moment. He taught me how to feel gratitude. Mostly, he taught me how to live like Sean, and these lessons are his legacy. (quatrième de couverture)

In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world.
The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. (extrait de la quatrième de couverture)

Punch Me Up to the Gods introduces a powerful new talent in Brian Broome, whose early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward this gorgeous, aching, and unforgettable debut. Brian’s recounting of his experiences—in all their cringe-worthy, hilarious, and heartbreaking glory—reveal a perpetual outsider awkwardly squirming to find his way in.
Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams. (extrait de la quatrième de couverture)

With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.
In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it. (extrait de la quatrième de couverture)

"I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it--but we must also knock it down."
Following the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's "living autobiography" is an exhilarating, thought-provoking, and boldly intimate meditation on home and the spectres that haunt it. (extrait de la quatrième de couverture)

In Invisible Child, Pulitzer Prize winner Andrea Elliott follows eight dramatic years in the life of Dasani, a girl whose imagination is as soaring as the skyscrapers near her Brooklyn shelter. In this sweeping narrative, Elliott weaves the story of Dasani’s childhood with the history of her ancestors, tracing their passage from slavery to the Great Migration north. As Dasani comes of age, New York City’s homeless crisis has exploded, deepening the chasm between rich and poor. She must guide her siblings through a world riddled by hunger, violence, racism, drug addiction, and the threat of foster care. Out on the street, Dasani becomes a fierce fighter “to protect those who I love.” When she finally escapes city life to enroll in a boarding school, she faces an impossible question: What if leaving poverty means abandoning your family, and yourself? (extrait de la quatrième de couverture)

Ishamel Reed est né le 22 février 1938 dans le Tennessee, aux États-Unis. Essayiste et poète, il écrit aussi des romans satiriques qui défient la culture politique américaine. Ses œuvres, les romans tout comme les essais, traitent des conditions sociales des Afro-Américains. Ses publications ont été traduites dans une dizaine de langues, dont le français. Il a enseigné à l'Université de Californie à Berkeley.
Ses ouvrages ont été sélectionnés pour de nombreux prix tels que le prix Pulitzer. Il a notamment reçu le Charles H. Wright Museum of African American HIstory Award et le Anisfield-World Book Award qui le récompense pour l'ensemble de son œuvre.